http://www.pureevilclothing.com/PopLivesPaganHearts.pdf

expo collective / group show - Salle Courmont (Lille, France)

hommage / tribute : Roger Frézin (1927-2012)

vernissage / opening : 9 nov, 18h - live painting Jef Aérosol : 18h45

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Thomas and I have a lot in common. We both started photographing stencils and then firgured out how to cut and paint our own. Thomas is one of the first photographers to share his photos with the Stencil Archive, and was featured in my book back in 2008. When I took my Stencil Nation tour to Europe, he helped me set up a presentation in Hamburg. Most if not all of the stencil artists showed up to that freezing basement happening, and they all brought art with them.

Home Invasion
Scott Williams
September 15 - Oct 20, 2012
6pm to 8pm
This fall, Steven Wolf Fine Arts will recreate the studio interior of painter Scott Williams, best known to San Franciscans as an early aerosol street artist who painted murals, cars and interiors using a spray can and stencils. His primary media though, since 2000, when he exchanged spray can for airbrush, is canvas, wood, and books. Williams cinematic, stencil montages take the form of landscapes, rock posters, political propaganda and various forms of abstraction. Literature, punk flyers, Asian woodcuts and obscure comic books are among his many sources.

One of his most intriguing creations is the interior of the Victorian Mission flat that he has lived in for the past 25 years. The residence, studio and gallery is a mixture of wall stencils, decay and paintings that hang on the wainscoting and stack on the floor like sloppy layer cakes. The space is a link to an era of San Francisco studios that flourished before skyrocketing rents, gentrification and the evolution of live/work spaces into generic corporate interiors. His capacity to achieve a painterly looseness with stencils, and his tendency to work flat on the ground in the manner of the abstract expressionists mirrors that link to the past. The installation will include paintings from every stage of Williams' career, new stencils made directly on the wall, and fragments of the studio itself.

http://www.upfest.co.uk/

stencils, aerosol & booze with AP, Bungle, and Matti

http://whitewallssf.com/events/

Rone’s posters are some of the most iconic in Australia, hiding under overpasses throughout Melbourne. He is renowned for the stylized images of girls’ faces - it wouldn’t be a stretch to say that he has had more posters in Melbourne’s streets than any other artist in the city’s history. Rone is one of the original members of Everfresh Studios where he still works daily. His ‘girls’ come with him as he travels and now appear on the streets of Los Angeles, New York, London, Toyko, Barcelona and Hong Kong. Of all the stencil artists from the initial Melbourne stencil boom of the early 2000s, he is the only one remaining who still is consistently getting his work up.

Rone’s art has been acquisitioned by the National Gallery of Australia, and in 2011 he sold out his first ever solo show in Melbourne before it even opened, highlighting his status as the literal poster boy of Australia’s next crop of street artists.

Fall from Grace was his first solo show of 2012, coming on the back of an invitation to Hawaii’s Pow Wow convention of contemporary street artists in February and the joint Don’t Look Back exhibition with Brit Tom French at London’s Zero Cool Gallery in April.

Carmichael Gallery

Bumblebeelovesyou

A film by HANDi

With new work by Bumblebee

Epic Lounge

8239 2nd Street

Downey, CA 90241

Reception: Sunday, August 19, 2012, 6pm (Screening wil commence at 7pm.)

Carmichael Gallery is pleased to announce a special screening of the new documentary short Bumblebeelovesyou, a visual profile of Los Angeles-based artist Bumblebee. Presented by The Downey Arts Coalition, Bumblebeelovesyou was produced by HANDi, a team of Downey-based filmmakers.

There will be a reception and screening at the Epic Lounge in Downey on Sunday, August 19, 2012, followed by a discussion on the documentary and the growing art scene in Downey. A series of new works by Bumblebee will also be on view.

FEATURING ARTWORKS FROM:
GOLDIE - BANKSY -
DAVID WALKER - INKIE -
CHRIS BRACEY - FIN DAC
K-GUY - MAU MAU -
SCHOONY - REMI ROUGHE -
BEN ALLEN - PINO
PURE EVIL - COPYRIGHT
CALM & COLLECTED
LILLIWEN - KID ACNE -
KASHINK - WILL BARRAS -
RYCA - BEN SLOW
CHU - STEFF - PLAETZ -
ZEUS - MYSTERIOUS AL -

... and more: http://www.urbaninibiza.com/urbaninibiza4/

http://carhartt-gallery.com/en/exhibitions/current-exhibition/public-pro...

PUBLIC PROVOCATIONS IV shows the beginning of a provocation and what becomes of it. A single artistic language, being more contemporary than ever, finding itself not only in galleries but even making its way into museums. A cross section of the current works of the scene is exhibited, concentrating on displaying the true pulse, creativity and power of the art. PUBLIC PROVOCATIONS IV feeds on colours and their performers – international legends and explosive young talents from Europe, the US or right up to the Middle East. This kind of art and expression with its urban origin, combined with much character and authenticity, minds both its provocative and its inspiring side. A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.

Artists in exhibition
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL

"I Call the Shots" and "Between the Sheets"
Opening Reception Saturday, June 9th, 7-11 PM
Exhibitions run through July 7, 2012

http://guerrerogallery.com/shows/ben-venom-previewfeatured-solo-june

The Project Room in June will feature “Between the Sheets,” an exhibition of new works by Adam Feibelman. In this series of works, the artist explores ideas of utility function and context with intricate hand-sewn stencils. Starting with imagery of objects that used to serve a specific function and have now been put to pasture waiting to find their future utility, these works are a meditation on value, echoed in the artist’s process of deconstructing and reassembling. The works explore the process of searching and imagining new uses, or of the challenges of finding a value in objects in reference to their former context.