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Hong Kong Graffiti Challenges Chinese Artist's Arrest

Hong Kong Graffiti Challenges Chinese Artist's Arrest

by Louisa Lim

May 4, 2011 (from NPR)

Hong Kong police are investigating criminal damage charges against artist Tangerine for graffiti of detained Chinese artist Ai Weiwei, which could carry a maximum sentence of 10 years in jail.
Tangerine

Hong Kong police are investigating criminal damage charges against artist Tangerine for graffiti of detained Chinese artist Ai Weiwei, which could carry a maximum sentence of 10 years in jail.

Given his real-life circumstances — summarily disappeared at the hands of the Chinese authorities with no charges yet laid — the furrowed forehead and hooded, tired eyes of the image now seem a representation of suffering. Underneath his face is one simple question, "Who's afraid of Ai Weiwei?"

This graffiti, appearing all over Hong Kong, has become a political statement, more than a month after the world-famous artist was detained by the authorities at Beijing airport. The campaign could yet lead to a jail term for the young graffiti artist responsible. And that fact has led to fears about the erosion of Hong Kong's distinct freedoms, which are a legacy of its colonial past under the British.

The Art of the Buff in San Francisco

The art of clearing taggers' work in San Francisco

Monday, February 21, 2011

Nobody knows more about graffiti than Joe Padilla. The paint-shop supervisor for the San Francisco Recreation and Park Department, Padilla oversees graffiti removal for all of the city's 220 parks.

A San Francisco native, Padilla, 50, was baptized at Mission Dolores and grew up at 15th and Noe streets. He lives in Richmond with his wife of 24 years, Silvana, and has three children and three granddaughters.

This shop spends $280,000 a year on graffiti abatement alone. People tag retaining walls, benches, sidewalks, pathways, curbs, signs, light poles, picnic tables, pump houses, irrigation boxes. Trees get tagged. Yes, we faux-finish a lot of trees.

We're damn good at graffiti removal. Mayor Newsom made an executive order about four, five years ago, saying all departments must deal with graffiti within 48 hours of it being reported. I have eight guys on my crew, and we average about 80 percent for removing graffiti within two days.

Spray Paint and the Buff: Bad for Air Quality?

Paint it green

Do graffiti artists express themselves at the expense of our air quality?

by AMY KINGSLEY : AKINGSLEY@LVCITYLIFE.COM


PHOTO: BILL HUGHES

Graffiti artists and taggers already have to worry about local law enforcement catching them with a backpack full of spray paint. Someday, they may also have to dodge environmentalists and the U.S. Environmental Protection Agency.

Research by a local air quality specialist suggests graffiti -- and the efforts to cover it up -- might damage the air more than some industries that are monitored by the federal government. The turf war between graffiti artists and local officials in Clark County produced an estimated 31 tons of emissions in 2008, according to Algirdas Leskys, a senior air quality specialist with Clark County, who did the research on his own time. Paint produces volatile organic compounds, which are the precursors of the ozone that turns the air yellow and thick. The majority of the fumes came not from the graffiti itself but from the paint used to cover it up, he said.

Citizen Caught While Stenciling to "Cheer People Up"

The hearts of the matter: Brandon Hughes’ art puts him in court

photo

Brandon Hughes stenciled 12 pink hearts on Wenatchee public property last year in an attempt to “fill the city with love.” He later scrubbed away his handiwork, but still faced a malicious mischief charge in Chelan County District Court.

Brandon R. Hughes wanted to give Wenatchee a gift of sorts, and he wanted to go unnamed.

Instead, the soft-spoken, off-the-grid 28-year-old got arrested for his trouble, and became the most visible creator of a graffiti style that’s coming to the fore in NCW.

In September 2008, Hughes’ 12 stencil-painted hearts, pink and sometimes accessorized with a scribbled motto “CHOOSE LOVE,” beckoned from lightpoles, signal boxes and mailboxes around downtown. When a bystander spotted Hughes spray-painting a pink heart on a pole near midnight on Sept. 18, police were called, and suddenly Hughes had some explaining to do.

Graffiti Discussion on SF Radio

Ah. So much for not being an early riser. I missed the initial discusson on KQED about graff in SF.

Hopefully they'll post a mp3 of the talk soon here.

For now, ther's a discussion going on in the forum here

Guess this is leading up to the "huddle" that's happening later today on Kearney St.

Still not sure if the huddle will spark anything new on the topic beyond "call police, paint over, call police."

NY Times: Fairey Not a Crook

April 10, 2009, 1:08 pm

Graphic Content | Shepard Fairey Is Not a Crook

Here is the original post, with pics

Steven Heller, a former art director at The New York Times, is a co-chair of the MFA Design Department at the School of Visual Arts and a blogger and author.

Even before Shepard Fairey’s Barack Obama “Hope” poster became the focus of legal and ethical scrutiny — for Fairey’s use of Mannie Garcia’s A.P. news photo as the basis of the now ubiquitous image — some design critics and practitioners had already questioned the street artist’s habit of “sampling” existing imagery. A scolding essay by Mark Vallen, entitled “Obey Plagiarist Fairey,” which was published online in 2007, accused Fairey, who created the “OBEY GIANT” project in 1989, of “expropriating and recontextualizing artworks of others.” The booty in this alleged thievery is primarily propaganda imagery from the 1920s (Russian Constructivism and Bolshevist posters) to the 1960s (Chinese Socialist Realism and counter-culture rock posters). However, Vallen’s harsh indictment seems not to have hurt Fairey’s reputation. If anything, the criticism enhances his subversive agenda, as it fosters debate about the line between influence and theft in art and design.

S.F.: 'Graffiti Huddle' to discuss tagging woes

S.F.: 'Graffiti Huddle' to discuss tagging woes

Sunday, April 12, 2009

Here's the deal

S.F. graffiti conference:
In some circles, graffiti is considered high art, which is why the San Francisco Museum of Modern Art stocks a coffee-table book featuring photos of graffiti images from around the Bay Area.

Property owners who've been tagged may object to such glorification, but - at least in San Francisco - they can voice their ideas about getting rid of graffiti. On April 23, from 3 to 6 p.m., San Francisco's Graffiti Advisory Board plans to host a "Graffiti Huddle" at the Hilton Hotel, 750 Kearny St. The board's goal is to "bring in all of our partners and the general public to discuss how to rid the city of graffiti once and for all." That's a tough objective in any city, let alone one that the advisory board says in a press release "is a worldwide destination for graffiti vandals. If you go online, you will see that taggers come to vandalize the city and then post their work for their peers to see all over the world." People planning to attend the April 23 forum are asked to register by going online at www.zerograffitisf.org or by calling (415) 641-2600.

Fair Use Cont.: New Book Out on Che as a Brand

April 21, 2009
Books of The Times


Brand Che: Revolutionary as Marketer’s Dream

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CHE’S AFTERLIFE

The Legacy of an Image

By Michael Casey

Illustrated. 388 pages. Vintage Books. $15.95.

Che Lives!

Not just in the hearts of revolutionaries, Marxist insurgents and rebellious teenagers, but on T-shirts, watches, sneakers, key chains, cigarette lighters, coffee mugs, wallets, backpacks, mouse pads, beach towels and condoms. He’s not only been used by politicians like the Venezuelan president, Hugo Chávez, to promote their own agendas, but he’s also been employed by merchants to sell air fresheners in Peru, snowboards in Switzerland and wine in Italy.

The supermodel Gisele Bündchen pranced down a runway in a Che bikini. A men’s wear company brought out a Che action figure, complete with fatigues, a beret, a gun and a cigar. And an Australian company produced a “cherry Guevara” ice cream line, describing the eating experience like this: “The revolutionary struggle of the cherries was squashed as they were trapped between two layers of chocolate. May their memory live on in your mouth!”

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