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Stencil Archive is home for thousands of photographs, videos, etc. from the stencil-loving community and has been sharing negative space since 2002. How can you support this site (beyond submitting pics, videos, etc.)?
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Thanks so much - Russell
European cave art gets older
Ancient illustrations in northern Spain date to more than 40,000 years ago
By Bruce Bower
Web edition : Thursday, June 14th, 2012
Red disks, hand stencils and club-shaped drawings lining the walls of several Stone Age caves in Spain were painted so long ago that Neandertals might have been their makers, say researchers armed with a high-powered method for dating ancient stone.
Scientists have struggled for more than a century to determine the ages of Europe’s striking Stone Age cave paintings. A new rock-dating technique, which uses bits of mineralized stone to estimate minimum and maximum ages of ancient paintings, finds that European cave art started earlier than researchers have assumed — at least 40,800 years ago, say archaeologist Alistair Pike of the University of Bristol in England and his colleagues.
PUBLIC PROVOCATIONS IV shows the beginning of a provocation and what becomes of it. A single artistic language, being more contemporary than ever, finding itself not only in galleries but even making its way into museums. A cross section of the current works of the scene is exhibited, concentrating on displaying the true pulse, creativity and power of the art. PUBLIC PROVOCATIONS IV feeds on colours and their performers – international legends and explosive young talents from Europe, the US or right up to the Middle East. This kind of art and expression with its urban origin, combined with much character and authenticity, minds both its provocative and its inspiring side. A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Over on Google+ and the FaceCrack, er Facebook, I will randomly post search strings via the Stencil Archive. I call them v.Tours (yeah, virtualTours) of the site. It gives people a way to see the breadth of the photos on here (almost 18,000 pics). Themes vary and usually have something to do with whatever comes up in my mind. Valentines in USA? Why not a v.Tour of heart stencils. I just read an article about birds. Why not a v.Tour of bird stencils? Uprising in Greece? Why not a v.Tour of anarchist "A" symbols? etc.
Some of you may not even know that you can search the Stencil Archive. There's a search function for each side of the site. You are currently reading this post on the Drupal side of the site. The Drupal "search" field will only get results from the posts on the index, and other Drupal pages.
Click the Archives link in the mast head and you will go to the Gallery side of the site (where the photos live). Once you get to the Archives, you will see a box that says "search the gallery" with a GO button. Search for random words in the filenames of all the photos (I am still trying to figure out how to search tag words) to see what's in the Archives. Links can easily be copied and shared for the searches, which is the basis of the v.Tours.
So.... in (dis)honor of E. II, here is a v.Tour of mostly illegal work from the streets of merry London (once the capital of a world-wide empire). Sure, there's Banksy in the mix. But there are also other treats on the walls of London.... enjoy this current v.Tour and have fun creating your own "walks"!
"I Call the Shots" and "Between the Sheets"
Opening Reception Saturday, June 9th, 7-11 PM
Exhibitions run through July 7, 2012
The Project Room in June will feature “Between the Sheets,” an exhibition of new works by Adam Feibelman. In this series of works, the artist explores ideas of utility function and context with intricate hand-sewn stencils. Starting with imagery of objects that used to serve a specific function and have now been put to pasture waiting to find their future utility, these works are a meditation on value, echoed in the artist’s process of deconstructing and reassembling. The works explore the process of searching and imagining new uses, or of the challenges of finding a value in objects in reference to their former context.
Earlier this spring a small stenciled image of a bike appeared on the pavement at the intersection of Glenwood Avenue and Luttrell Street. An arrow painted beside the bike pointed to the right. What’s this? I thought.
Later, I noticed more of the small stenciled bikes zigzagging through North Knoxville, leading the way down quiet neighborhood streets and little-used roads near industrial parts of town. They perfectly matched the route my husband takes when he bikes our child to school in the bike trailer.
“You did this!” I said.
He denied it.
Still, it must be a personal route, I thought, marked by a cycling enthusiast with an anarchist streak, pointing the way to a party; or maybe it was part of a whimsical scavenger hunt. But, the marks were quite consistent, the distance covered was large...could it be a city-sanctioned route? And yet, the stencils were a little low-tech to be official. They seemed to hover in a gray area somewhere between city traffic markings and graffiti.
After going through a short list of suspects, I got a promising tip, and one day I received a call from a man I’ll call “AC.”
About 195 images for the whole upload.... almost hit 18K!
From the 1990s/2000s
Above (one classic arrow)
#CODEFC’s London Olympics Installations
Curious Duke Gallery
207 Whitecross street, London EC1Y 8QP
Fri June 8th 2012 - Fri June 15th
Private View: Thu June 7th 2012
20:12 is a project by London-based artist #codefc that has developed over the past couple of years as a humorous social commentary on the build-up to the London 2012 Olympics.
Using stencil interventions onto London city landscapes, #codefc presents athletes’ imagery in all their splendour and vigour, performing the Olympian feats for which they are known against a backdrop of reconfigured and stretched Olympic rings, their faces replaced with cameras and camcorders - the artist’s signature mark.
20:12 places the glorification of the Olympic Games brand and the notion of “sportivity” well and truly within London’s urban context, which is in itself potent with particular socio-political circumstances and challenges faced as hosting city. In addition to highlighting these conditions, 20:12 looks at the commercial and creative cultures and economies created through the Olympics machine, in the form of merchandise, official and unofficial artistic outputs, and branding exercises.
20:12 has seen different incarnations at important street art hubs in London, including Cordy House and Red Gallery in Shoredich, the Westway in Ladbroke Grove, and South Bank. The project will culminate in an exhibition at Curious Duke Gallery during June 2012.
Opening Reception: Friday, June 1st, 2012
“There’s no retirement for an artist; it’s your way of living, so there’s no end to it.” - Henry Moore
Moore’s words outline art making not simply as profession, but as compulsion. Make Ends Meet is an exhibition that celebrates the repetition of a daily grind, as it features the incredibly inventive, yet remarkably labor-intensive works of Jonathan Brilliant, Mathew Curran, and Olek. Only compulsion could inspire these artists to employ the countless connections, cuts, and knots necessary to create their works. - Lauren Turner
Dans le cadre de sa mission de soutien à la création artistique et en collaboration avec la galerie Magda Danysz, la Mairie d’Orléans ouvre les portes de la Collégiale Saint-Pierre-Le-Puellier à Jef Aérosol, du 2 juin au 15 juillet 2012, pour une exposition événement qui célèbre les 30 ans de pochoirs de cet artiste incontournable du mouvement street-art.
Véritable pionnier, Jef Aérosol fait partie de la première génération d’artistes à avoir intégré la scène du pochoir en France au début des années 80. Il réalise son premier pochoir à Nantes en 1982 et peint pour la première fois à Orléans dès 1983. Il revient ensuite régulièrement dans la ville. En 2010, à l’occasion de l’exposition A Ciel Ouvert, Jef Aérosol investit la Vinaigrerie Dessaux avec plusieurs artistes internationaux tels JonOne ou West venu de Los Angeles. Son célèbre Sitting Kid ou Bruce Springsteen sont désormais inscrits durablement dans le paysage orléanais.
Collégiale St-Pierre-Le-Puellier > 2 juin au 15 juillet