I liked this work for its directness, its fresh approach to representation, its desire to communicate with absolutely anyone. I became very interested in the neo-expressionists' attempt to create an image of a universal, unspecified person. I experimented with faceless characters in a number of comic strips and also tried my hand at stencils and graffiti. I still consider myself to be a neo-expressionist comic book artist.
Welcome to StencilArchive.org, redesigned for your mobile devices.
Stencil Archive is home for thousands of photographs, videos, etc. from the stencil-loving community and has been sharing negative space since 2002. How can you support this site (beyond submitting pics, videos, etc.)?
- Take a San Francisco tour. Two to choose from.
- BUY an autographed copy of my out-of-print book "Stencil Nation" while supplies last.
- Donate any amount to keep Stencil Archive alive.
Thanks so much - Russell
A few photos of stencils being used for protest during the historic People's Climate March in New York City are starting to get posted. From time to time today, Stencil Archive will update New York City's Archive with any stencils that make the social media streams.
Stencils appeared at the #floodwallstreet march on Monday 9/22 today, with images by 1980s stencil master Seth Tobocman. So social media streams were scoured today for photos of the march on Wall Street and they also appear in the NYC archive.
The rise of the anti-facial recognition movement
By Joseph Cox on September 14th, 2014 for kernelmag.com
With Facebook automatically tagging your photos, Google Glass apps being able to pinpoint faces, and police using high-end technology to match digital and physical identities, big brother’s watchful eye is all around us.
While the technology behind facial recognition continues to develop as its presence increases, some artists are trying to give citizens their privacy back the best way they know how—by designing contraptions that help ordinary citizens avoid detection.
You might not know Leo Selvaggio, but there’s a chance you’ve seen him—or someone strikingly identical to him. He’s white, male, and young. To be frank, there is nothing remarkable about his appearance, but that’s precisely the point.
Solo Show at
Thursday, Sept 11th, 5-10pm
1103 e. pike st, Seattle
Solo Show at
Show hangs thru the end of October
1759 1st ave. S, Seattle
Hastings Online Times Original interview here
St. Leonards based street artist Drew Copus’ first solo show, Metamorphosis is showing now at The Dragon Bar, 71 George Street TN34 3EE Hastings. HOT’s Rebecca Snotflower and Andy Tompkins ask him 12 very important questions.
You may well recognise the butterfly motif stencil drawings on display within the exhibition from the walls along your daily routes around the town. The pieces look like they have been stolen from the landscape of Hastings, as they sit on their reclaimed wooden surfaces, collectively displayed in the bar by some kind of crazy graff-loving entomologist. Some pieces include a symmetry of lines and shapes, which make me think of the mathematical arrangements behind seemingly chaotic natural structures… obviously I don’t think about it too hard, it makes my brain ache. The exhibition as a whole has an unmistakable DIY glamour – and a heap of punk attitude.
C215 (see his Stenicil Archive here)
Nina je t'aime
September 13 - October 4, 2014
White Walls is pleased to present the new work of Parisian stencil artist, C215, in his third solo exhibition with the gallery titled Nina je t’aime.
"C215's art captures a light, depth, and humanity that is difficult, and rare using stencils, his chosen medium. Stencils tend to flatten images and make them static, but C215 has developed a style of illustrating and stenciling that yields an impressionistic illumination of his subject's character."
L.E.T. (aka Les Enfants Terribles) one of the first German Street Artists (since 1992), and to this day he is active in the street shaping the image of his home city of Dusseldorf. His motives are sprayed on paper and then pasted as “Cutouts” in the world.
Back in 2008, the Everfresh crew offered piles of hospitality for me when I visited Melbourne for the Stencil Nation tour. They also fed me pizza and beer. In the history of modern stencilism, Everfresh was at the nexus of using the tool as a new form of expression and art. Their site stencilrevolution.com went live just after Stencil Archive and instantly had hundreds more photos due to Everfresh's better design skills. If any of these artists show in your city, please support their art and offer them some food and beer. - R.
Sep 6, 12-5pm
5 Perry St, Collingwood
It's been a long while since we have written, we've been a little busier than usual but Everfresh Studio are excited to announce we're back in Collingwood!
Late last year we became homeless for the first time in our 10 year history. Luckily we had help from a few friends and were able to find a temporary home down in Abbotsford by the river, so we packed up 10 years worth of stuff and away we went.
Some BART riders may be reluctant to report crimes because they don’t want to draw attention to themselves. That’s why on Thursday, officials from the transit agency unveiled BART Watch, a free app that lets users discreetly report crimes on trains.
“It’s an app that is sort of like texting police,” said BART spokeswoman Alicia Trost.
The app lets users take a picture or send a text to BART police rather than call 911 or rush over to an intercom at the end of a train, something that BART officials said riders often won’t do out of fear for their safety.
The app is available for iOS and Android devices and works in English, Spanish and Chinese, Trost said.