Welcome to StencilArchive.org, home for thousands of photographs, videos, etc. from the stencil-loving community and has been sharing negative space since 2002. How can you support this site (beyond submitting pics, videos, etc.)?
- Take a San Francisco tour. Two to choose from.
- Buy an autographed copy of my book "Stencil Nation", discounted from retail prices.
- Donate any amount to keep Stencil Archive alive.
- Find the Stencil Archives' best original photos on Instagram and flickr.
Thanks so much - Russell
The Stencil Archive wouldn't be what it is without all the help and submissions from folks like Paul. Want to submit photos of your own stencils, or those you have discovered? Check out our FAQ, which has an email in there for you to use. You can always conact us too for more information. I appreciate it!
Dirty Style. Always creating. Never stopping.
<<< Trump Dog Toilet, photo by Josiah :::
Thanks for submissions: Josiah, Esmeralda :: Vinyl tracking by OM
Happy Birthday (Late), CAMP!
Bernal Heights (just one)
The Castro (just one)
++Bonus Round with Brooklyn Street Art’s Jaime Rojo
NJ (just one)
Hama Woods is a stencil artist, based in Oslo.
Her work demonstrates a reverence for nature and its immediate connection to humanity. In a search for methods to communicate the importance and revival of nature, Hama Woods stencils intuitively reflects and focuses on a sociological approach to greed and human consumption and its direct effect on our natural environment.
African Americans are more likely to be targeted by face recognition software
By Sidney Fussell, Fushion.net
On Tuesday, a 150-page report released by Georgetown University’s Center for Privacy and Technology found that an astounding 117 million Americans, nearly half of all adults in the country, have their images stored in face-recognition databases searchable by federal, state, and local authorities. The databases are compiled primarily from images like mugshots, driver’s license photos, passports and visa pictures. Georgetown found that 1 in 4 police departments use face recognition databases, more than 4,000 total departments. The FBI’s database, many times larger than those of local police departments, is also sourced largely from non-criminal images, meaning that inclusion in the face recognition database (unlike fingerprint and DNA databases) isn’t reserved for criminal suspects.
Titled “The Perpetual Line-Up,” the report finds that African Americans, who are arrested at higher rates and thus more likely to recur in databases, are disproportionately impacted because of the increased level of policing in black communities. The report notes that, in certain states, black Americans are arrested as many as three times that of their share of the population, over enrolling them in face databases. (For context, in 2013, Ferguson issued 1,500 arrest warrants for every 1,000 people in the mostly black city.) And the Maricopa County, Arizona police department “uploaded the entire driver’s-license and mug-shot database from the government of Honduras, a major source of immigration to Arizona.”
Copyright war: Street artists accuse big corporations of stealing their artworks
The family of the deceased artist Dash Snow have accused McDonald's of stealing Snow’s graffiti signature to decorate the walls of hundreds of their restaurants – and his case is not the only one
Enrico Bonadio Monday 17 October 2016 for the Independent UK
The family of late street artist Dash Snow say McDonald's stole his graffiti signature and put it on the walls of their restaurants
Fast food giant McDonald’s has its own, very recognisable logo, but it may soon need to defend itself against a copyright lawsuit for allegedly appropriating someone else’s, in this instance the stylised name of a street artist.
The family of the deceased artist Dash Snow recently brought the case to a Californian court. Also seeking to protect Snow’s anti-consumerist reputation, they claim that McDonald’s has committed copyright infringement by using a “brazen copy” of Snow’s graffiti signature and featuring it on the walls of hundreds of its restaurants. Snow started his career as a graffiti artist with the crew IRAK.
Out of Style: Street art event, organizer rebuffed after controversy
Artists from across the globe who arrived in the Bay Area expecting to participate in a three-day street art festival were shocked to learn it had been abruptly cancelled.
The Meeting of Styles Art Festival 2016, which was set to take place at various alleys and streets throughout the Mission District on Sept. 16-18, was unanimously denied the necessary permits by the Interdepartmental Staff Committee on Traffic and Transportation (ISCOTT) due to growing community concern about the event, and questionable actions involving the event’s organizer, Lisa Jo Brewer.
“This year something happened,” Brewer told El Tecolote via telephone on Sept. 16. “I can’t really put my finger on it, but there’s this small organization in town here in the Mission, and they were dead set against it.”
The small organization Brewer referred to is the Calle 24 Latino Cultural District, which fielded a number of complaints from residents and organizations concerning property damage following last year’s Meeting of Styles event.