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African Americans are more likely to be targeted by face recognition software

By Sidney Fussell, Fushion.net

On Tuesday, a 150-page report released by Georgetown University’s Center for Privacy and Technology found that an astounding 117 million Americans, nearly half of all adults in the country, have their images stored in face-recognition databases searchable by federal, state, and local authorities. The databases are compiled primarily from images like mugshots, driver’s license photos, passports and visa pictures. Georgetown found that 1 in 4 police departments use face recognition databases, more than 4,000 total departments. The FBI’s database, many times larger than those of local police departments, is also sourced largely from non-criminal images, meaning that inclusion in the face recognition database (unlike fingerprint and DNA databases) isn’t reserved for criminal suspects.

Titled “The Perpetual Line-Up,” the report finds that African Americans, who are arrested at higher rates and thus more likely to recur in databases, are disproportionately impacted because of the increased level of policing in black communities. The report notes that, in certain states, black Americans are arrested as many as three times that of their share of the population, over enrolling them in face databases. (For context, in 2013, Ferguson issued 1,500 arrest warrants for every 1,000 people in the mostly black city.) And the Maricopa County, Arizona police department “uploaded the entire driver’s-license and mug-shot database from the government of Honduras, a major source of immigration to Arizona.”

Copyright war: Street artists accuse big corporations of stealing their artworks
The family of the deceased artist Dash Snow have accused McDonald's of stealing Snow’s graffiti signature to decorate the walls of hundreds of their restaurants – and his case is not the only one

Enrico Bonadio Monday 17 October 2016 for the Independent UK

The family of late street artist Dash Snow say McDonald's stole his graffiti signature and put it on the walls of their restaurants

Fast food giant McDonald’s has its own, very recognisable logo, but it may soon need to defend itself against a copyright lawsuit for allegedly appropriating someone else’s, in this instance the stylised name of a street artist.

The family of the deceased artist Dash Snow recently brought the case to a Californian court. Also seeking to protect Snow’s anti-consumerist reputation, they claim that McDonald’s has committed copyright infringement by using a “brazen copy” of Snow’s graffiti signature and featuring it on the walls of hundreds of its restaurants. Snow started his career as a graffiti artist with the crew IRAK.

Out of Style: Street art event, organizer rebuffed after controversy
by Alexis Terrazas
For El Tecolote

Artists from across the globe who arrived in the Bay Area expecting to participate in a three-day street art festival were shocked to learn it had been abruptly cancelled.

The Meeting of Styles Art Festival 2016, which was set to take place at various alleys and streets throughout the Mission District on Sept. 16-18, was unanimously denied the necessary permits by the Interdepartmental Staff Committee on Traffic and Transportation (ISCOTT) due to growing community concern about the event, and questionable actions involving the event’s organizer, Lisa Jo Brewer.

“This year something happened,” Brewer told El Tecolote via telephone on Sept. 16. “I can’t really put my finger on it, but there’s this small organization in town here in the Mission, and they were dead set against it.”

The small organization Brewer referred to is the Calle 24 Latino Cultural District, which fielded a number of complaints from residents and organizations concerning property damage following last year’s Meeting of Styles event.