19 November 2014
A journey deep inside Spain’s temple of cave art
In Spain Arts & Architecture By Rachel Corbett, for the BBC
I gasped at my first glimpse of a cave painting: a crude red outline of a deer with one wild circle for an eye. Its iron pigments blazed under the lamplight. The illusion of a breastbone emerged, ingeniously, out of a hump in the limestone wall. After a while, a cave becomes a long black tunnel of sensory deprivation; the sight of this tender image jolted my breath back to life.
“Can you tell you’re in a sacred place?” asked Marcos Garcia Diez, the archaeologist who had agreed to show me some of the most breathtaking rock art ever created. “This cave is like a church and that’s why ancient people returned, returned, returned here for thousands of years.”
Back when Banksy was in SF promoting his documentary, I got to meet Sami Sunchild and talk about the large rat that was on the side of her Red Vic bed and breakfast building (read about it). I introduced her to Banksy via my book as well as the artist's own. And her manager let me go onto the roof for exclusive shots of the socialist rat (see my photo below). Ever since I saw the empty space on that wall get replaced with plain wood by a work crew, I've wondered who took the rat and what it's fate was. At long last the SF Chronicle tracked the owner down. And Sami asked him to never sell it. End of story?
Quest to display an S.F. Banksy tests value of street art
By Evan Sernoffsky
June 20, 2014 | Updated: June 21, 2014 10:24pm
Google Adds Graffiti to Its Art Portfolio
By RACHEL DONADIO ::: JUNE 10, 2014
PARIS — There’s a portrait of an anonymous Chinese man chiseled into a wall in Shanghai, a colorful mural in Atlanta and black-and-white photographs of eyes that the French artist JR affixed to the houses of a hillside favela in Rio de Janeiro. These are among the images of more than 4,000 works included in a vast new online gallery of street art that Google is unveiling here on Tuesday.
Called the Street Art Project, the database was created by the company’s Paris-based Google Cultural Institute. Using images provided by cultural organizations worldwide, some of which were captured with Google’s Street View camera technology, it includes street art from around the globe, including work that no longer exists, like the 5Pointz murals in Long Island City, Queens, or the walls of the Tour Paris 13 tower in France.
With the initiative, Google is the latest organization…Read more
Graffiti taggers could face a much bigger price tag
Graffiti in San Francisco is a mess - literally and figuratively. That's not a scoop, it is merely a discouraging reality.
It begins with the city being a mecca for spray paint vandals from across the…Read more
SF takes aim at graffiti vandals, tries to lessen burden on victims
Posted by Joshua Sabatini on Tue, Mar 18, 2014 at 7:29 PM
Supervisor London Breed has introduced legislation targeting graffiti vandals; police made 203 graffiti-related arrests in 2013, most of them adults.
San Francisco’s $20-million-a-year graffiti problem has seemingly caused more problems for victimized property owners and public agencies than for the vandals.
But now the City Attorney’s Office could be allowed to go after graffiti vandals in civil proceedings that would force them to pay for the damage and perform community service.
Supervisor London Breed and other city officials say the current process does not work and penalizes the victims, since property owners must remove graffiti within 30 days or face fines.
“We estimate that over 90 percent of the graffiti offenses are committed by the same people,” Breed said Tuesday, when she also introduced…Read more
A Parodist Who Calls Himself Hanksy
By JOHN LELAND
FEB. 14, 2014
The street artist who calls himself Hanksy, on Orchard Street in Lower Manhattan with his piece “Walter Flite.” Nicole Bengiveno/The New York Times
This is a story about art in the age of social media — about anonymity and self-promotion, about feral cats and viral cat videos.
In April 2011, a law school dropout in Bushwick, Brooklyn, newly arrived from the Midwest, had an idea that he thought might make a splash. He admired the street artist Banksy; he grew up on the movies of Tom Hanks. Why not mash up the two? Using simple computer software, he downloaded a Banksy painting of a rat holding a paint roller, then added an image of Mr. Hanks’s face. The whole thing took 10 or 15 minutes to create. He printed a cutout and…Read more
The ‘Not Art’ Stencil Project Is Meant to Inspire ‘Wonder’
The tagger responsible for one of the most prominent outdoor art stencils talks about his motivation behind the paint.
By Steve Annear | Arts & Entertainment | January 20, 2014 3:01 pm
Some people view it as a message that calls attention to bland, often ignored objects in plain public view, while others have said that it’s pointless tagging that merely defaces local property.
But it’s that conversation between two sides of the argument, and the confusion that leaves people wondering what it means, that the creator of the “Not…Read more
I Got Myself Arrested So I Could Look Inside the Justice System
By Bobby Constantino
This article available online at:
Ten years ago, when I started my career as an assistant district attorney in the Roxbury neighborhood of Boston, I viewed the American criminal justice system as a vital institution that protected…
Stencils in the Shadows: Two Artists on a Mission
Devin Holt, SF Weekly
The house on San Jose Avenue was perfect. There was plenty of sidewalk out front, and enough light to see clearly from the streetlamps overhead. With a couple of quick glances up and down the block, the pair set to work. They laid their handmade outlines down on the sidewalk, adjusted them to assure proper alignment, and then pulled out a spray can. The stencils were painted with a few quick hisses, and everything was packed back up in less than a minute.
Three messages now looked up from the sidewalk. "Tu Casa es Mi Casa," "The New Mission: Haute yet Edgy!" and "Tenants Here Forced Out."
The house wasn't chosen because of its…Read more
By Keegan Hamilton Wednesday, Oct 9 2013
That was the beguiling subject of an e-mail seemingly randomly addressed to the Village Voice in mid-September.
"I represent the artist Banksy," the message began, "and I would like to talk to you at your earliest convenience." The name and phone number of a British publicist followed. There were no further details or explanation. It was mysterious and intriguing. The secretive graffiti artist had been silent since last year, when his distinctive stencils appeared in London during the Olympics…Read more