News Articles

Stencil Nation Q&A in Atlanta Journal

There's a great feature on stencils coming out Sunday in the Altantal Journal Constitution. First, Drew Jubera talks with Transmit Device to get his angle on stencils in Atlanta. Drew then hit me up with a phone call last week while I was in the Charleston, SC area. He did a good job combing through my long-winded answers to get the gist of what I was saying. I have taken note of this for future interviews.....

Aeroart features Romanian Stencil Movement

The online magazine Aeroart has recently launched it's third issue dedicated to the stencil movement in Romania. It contains pictures from galleries such as Stencil Exhibition and A-camp, but also presents works done by The Orion, Coate Goale, Otaku and many more.


(rapid share will force you to wait about 2 minutes before you can download the file.... good stuff! - Russell)


http://rapidshare.com/files/162919904/REVISTA_AEROART_NR_3.2008-ENGLISH_...

Paper Mag: Marc Schiller on Commerce

The Original Link to Paper Mag is Here

Marc's Original Wooster Post is Here

Props to Crystal for the tip

Last year Marc Schiller wrote a blog for his site WoosterCollective.com called "The Banksy Effect," in which he addresses the abrupt and remarkable changes that were taking hold in the London street-art scene. To Schiller, it appeared that after five years of just barely inching along, the market for street art in galleries had suddenly hit the roof, and the kinds of pieces that had gone unsold for years prior were selling at an insane rate and even crazier prices. Schiller could think to chalk it up to only one thing, or man, rather: Banksy, the Bristol-born stencil artist whose work went from streetscapes to auction house must-haves in a hot second, and who was fast becoming a major figure in the fine-art world.

"Soon after we published the blog, "Space Girl and Bird," a Banksy stencil created for a Blur CD cover sold at Bonhams auction house in London for $575,000 -- 20 times the estimate, making it the most expensive BANKSY ever sold at that time.

Back then, my thinking was that everyone was benefiting from this "Banksy Effect" -- artists, gallerists and collectors alike. But now things are a lot less clear. Still fueled largely by London-based buyers, the market for street art has in many ways become completely irrational.

Obama image painted on Republican Club building

Original article is here

NEW SMYRNA BEACH -- Democratic presidential hopeful Barack Obama made an appearance here over the weekend at the campaign headquarters of the Republican Club of Southeast Volusia, or at least his image did.

A likeness of the Illinois senator, in purple spray paint, was stenciled on the front window and outside columns of the Third Avenue headquarters overnight Friday.

Club officials reported the vandalism Saturday morning and told police they would be willing to prosecute the responsible party.

"I think it is some un-American, uninformed and misguided individual," headquarters committee chairman Bob McKeen said.

Fellow Republican supporter Jerry Rowen said his sign promoting the John McCain-Sarah Palin candidacy suffered the same fate.

Nowhere to Paint, Nowhere to Learn

Nowhere to Paint, Nowhere to Learn (Find Original Article Here)
Posted By: Jason Youmans
07/30/2008 8:00 AM

By cracking down on street art of all sorts, has the city lost a valuable tool in the battle against bad graffiti?

As Monday learned after publishing a recent editorial in defense of graffiti, it seems no one in Victoria likes the lowly tagger. But in a city quick to buff the first sign of unsolicited spray paint from its walls while offering no alternative for budding Banksys* to feed their egos and make their names known, the Garden City is setting itself up for a tourism-dependent town’s worst nightmare—an endless cycle of really crappy graffiti.

Monday recently caught up with a decade-long veteran of the local aerosol art community to talk about the city’s graffiti scene, why there are so many trashy tags and what happens when there’s no place for people to hone their skills without fear of getting cuffed by the cops. For obvious reasons, he wishes to remain anonymous, so we’ll call him Rusto—after a paint popular among that set.

Graffiti Cops a Spray: A1one in Melbourne

Graffiti cops a spray

Fiona Scott-Norman

August 1, 2008

I suppose a time may come when graffiti is as inert and respectable as a David Williamson retrospective, but it's as likely to be in the near future as the Lygon Street Starbucks lasting past the weekend.

As an art form, graffiti has transgression and contention coded into its DNA; it's illegal, it's public, costs a packet to clean up, and it seriously pisses people off.

Graffiti Vandals turn Violent in LA

Graffiti vandals turn violent in LA
Aug 1 02:35 PM US/Eastern
By THOMAS WATKINS
Associated Press Writer

LOS ANGELES (AP) - One man got stabbed. Another got shot in the chest. A 6-year-old boy was temporarily blinded when he was spray-painted in the face.

And they were the lucky ones among those who have had run-ins with graffiti "crews," or gangs.

Over the past 2 1/2 years in Southern California, three people have been killed after trying to stop graffiti vandals in the act. A fourth died after being shot while watching a confrontation between crews in a park.

No hefty price tag for ignoring S.F. graffiti

No hefty price tag for ignoring S.F. graffiti

Original SF Chronicle Article

Wednesday, March 12, 2008

San Francisco officials have made graffiti cleanup a crusade over the past few years, pushing for the prosecution of vandals and fighting to hold private citizens accountable for tagging on their properties.

But a lack of money to pay city lawyers to go after the property owners has hobbled a much-touted anti-graffiti law, several members of the city's graffiti advisory board say.

NYTimes: One Wall Down, Thousands to Paint

March 2, 2008
Heads Up | Berlin
One Wall Down, Thousands to Paint
By ANDREAS TZORTZIS

SPRAY cans clink in Ali’s bag as he walks down a cobblestone street in Berlin’s post-hip neighborhood of Prenzlauer Berg. He stops in front of a grocery truck parked near a children’s playground and pulls out a can. With a fluid motion, he strokes his name in bubbly, bright red letters, before leaving his mark on a telephone booth, a dozen doors and a concrete wall next to the train tracks.

"It’s a great feeling doing a piece at night and coming back the day after to look at it,” said Ali, 31, an industrial designer who was dressed in baggy pants and a black hoodie and didn’t want his surname used to avoid prosecution. “I also see it as reclaiming the city and shaping my urban environment.”

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