Third World Press Collective just had a great talk with sometimes-stencil artist Melanie Cervantes. Melanie and her husband Jesus Barraza crank out amazing political posters for many great causes. Years ago, Jesus told me that he learned how to screen print from old school printers who called the screens "stencils" (and acutally used stencils to occasionally put the image on the screen). I first met Melanie while photographing her stencils at the old Counterpulse space.
"Brown & Proud" by Melanie Cervantes and Jesus Barraza (Stencilada 2009)
Feminist Fistbumps: Artist Melanie Cervantes Discusses Art as Decolonial…Read more
Peter Kuper is a long-time stencil artist, co-founder of World War 3 Illustrated (with long-time stenciler Seth Tobocman), and current creator for Mad Magazine's Spy vs. Spy. When I was compiling my Oaxaca section for Stencil Nation, Peter was kind enough to take a few minutes from his insane schedule and send me some photos. One photo of a rice stencil ended up in the book. Glad to finally get an interview with him posted on this site (thanks to Boing Boing and RiYL, and Brian Heater).
Interview audio here.
Every time I speak to Peter Kuper, the conversation invariably turns to New York — or, as is often the case, begins there. It’s my own fault. I’ve got this insatiable need to ask fellow residents, artists in particular, what keeps them in the city’s orbit. Kuper is a particularly interesting…Read more
Interview – DLUX – James Dodd
It’s 2004, Melbourne, and things for the cities vibrant stencil art community are about to change. For many years the stencil was king – so much so that books were written, international websites spawned and a global movement eagerly watched the streets come alive in nooks and crannies with cut and sprayed works of art. from the political to the humourous, – in these days, freedom aerosol was still, for the most part, mostly practiced by graffiti artists and what we know as the “street art scene” was dominated by stencils and the artists who created them, plied a swaths across the city.
But 2004 was the year of a major international event in Melbourne, the Commonwealth games, and with it came a massive cleanup across the city – walls washed and sterilised in the name of “making shit look…Read more
Blek Le Rat, 'Father of the Street Stencil,' Thinking of L.A.
By Ed Fuentes | on January 16, 2014
Stencil street art is strategic in its placement and monochromatic imagery, allowing graphic arts to become guerilla responses to environmental and social conditions in one swift glance. The urban art form can be found in all major cities, but it thrives in Los Angeles. It didn't have to evolve much from its original source, Blek le rat, the French artist who began stenciling on Parisian walls in the 1970s and 1980s. With the growth of stenciled art in Los Angeles, not to mention around the world, it's important to consider why he's called the…Read more
The Story Of An Artist: Victor Gastelum
Interview with Victor Gastelum.
“Victor is the fifth Beatle, he is the silent one that no one really ever sees.”
—Joey Burns, Calexico
Words: Craig Carry, Artwork: Victor Gastelum
Original Post (with artwork): http://fracturedair.com/2014/01/29/the-story-of-an-artist-victor-gastel…
“Love the run but not the race
All alone in a silent way
World drifts in and the world’s a stranger”
—‘Quattro (World Drifts In)’, Calexico
In an attempt to write the story of the Long Beach California-based artist Victor Gastelum, it is tempting to simultaneously write the story of Tucson Arizona’s beloved sons Calexico. For, across the band’s vast body of sprawling, timeless work — encompassing a string of studio albums, tour records, a plethora of EP’s, soundtrack scores and a multitude of…Read more
By Sarah McClure
From missionlocal.org: http://missionlocal.org/2013/12/q-a-the-suitcase-stencils/
Posted December 7, 2013 6:00 am
Of all Mission’s graffiti, none likely appear with as much ubiquity than the stencils of a wheeled suitcase inscribed with the words, “Tenants Here Forced Out.”
Always strategically placed, the suitcase stencils materialize on the pavement in front of a building that enacted an Ellis Act eviction — one in which the owner evicts all tenants to then generally sell it.
Mission Local recently sat down with two anti-eviction movement leaders: Erin McElroy of the Anti-Eviction Mapping Project, and Rebecca Gourevitch of…
Original found here: http://www.juxtapoz.com/illustration/adam-feibelman-do-with-me-as-you-w…
Juxtapoz recently sat down with Adam to discuss his daily antics and process for his upcoming show at Guerrero Gallery. Hannah Stouffer in conversation with Adam Feibelman:
Hannah Stouffer: Hey Adam, what are you wearing?
Adam Feibelman: I am currently topless in my hot summer time studio. I do have bottoms on, though, which are jeans.
HS Tell me about your process for your upcoming show 'Do With Me What You Will' at Guerrero Gallery- how long did the series take for you to put together? How do you feel your work has evolved at this point from exhibitions in the past??
AF About a year ago, Andres from Guerrero Gallery approached me with the opportunity, knowing that my work takes a long time to make. I think he…
Go here for full interview.
Both born in the 1980s, Iranian Street Artists Icy & Sot are equally fans and loyal students of all the stencil techniques that have characterized the western scene in the last decade. What’s fascinating in this story is that, despite creating work on the street since 2005, neither brother has been able to attend their own gallery show in person outside of Iran until this week in New York.
With a new sense of freedom and some new works for “Made in Iran”, the self taught Tabriz-based artists are riding the momentum that will take this show to Amsterdam, Berlin and Milan. The gallery work on display…Read more