Various Works: 2050 Bryant, CELLspace
Know Your Street Art, SF Weekly by Jonathan Curiel
<< Photo: Icy & Sot with HA-HA (CELLspace, SF, CA)
On a wall just inside the building formerly known as CELLspace, an artwork delivers a defiant message: "NOT for Sale!" But the message is a lie — the building, whose exterior walls once featured some of the best street art in San Francisco, was sold and is slated for development. Last summer, two volunteers — artist Russell Howze and art editor Annice Jacoby — took down much of the outside art and put it in storage for temporary safekeeping. What's left on the walls are stickers, tagging, and remnants of art — including faces of Native American men, a monkey with a sign imagining a battle between two well-known street artists ("Hektad vs. Banksy"), and an impressive work by muralist Joel Bergner. Even in its current state, 2050 Bryant's art potpourri inspires passers-by to take photographs for posterity.
But what about the art that was taken down? Howze, whose own CELLspace work is among the preserved art, and Jacoby are trying to find a patron who will buy the works and display them again. The art includes Bergner's De Frontera a Frontera, a lyrical, red-splashed work about haves and have-nots in the Dominican Republic, and Icy and Sot's collaboration with Regan "Ha Ha" Tamanui, Super Hero with Portraits, which has a caped boy standing alongside a gallery of orange-tinged smiling faces.